巴勒斯坦:卡马尔华桑贝尔
这是一台基于大众记忆的音乐舞蹈剧,其出现也代表着一种新式的巴勒斯坦风格的艺术形式的诞生。本剧的内容是根据一个发生在20世纪70年代的一个巴勒斯坦难民营发生的事情改编的。故事主角“奶奶”代表了巴勒斯坦难民的苦难记忆,他们与现实斗争并梦想回到故土。
这一剧目的创造性在于通过舞台来实现感召与教育。呼吁人们改变苦难现状,更加具有深度地思考现实问题。同时,也通过艺术的形式来引起世界对巴勒斯坦问题的重视。
剧目将戏剧和舞蹈融合,形成一个新的艺术方式,以此来得到观众的共鸣与回应,同时还展示了上升至国家级别的对抗。这一剧目是文化阵地中的政治对抗。
Qamar wa Sanabel
The show is a musical, choreographed drama, based on popular memory. It addresses the fundamental issues that currently face the Palestinian community in a creative, artistic way. This piece is based on a real story that took place in the 1970s in a Palestinian refugee camp where the main character, “Grandma,” lived. The scenes are designed to each tell a part of her life that represents the Palestinian memories, struggle with reality, and her dream to get her right of return。
The nature of the show is simultaneously creative, experimental, educational and may thus either reinforce or modify the status quo. The range and depth of meanings observed in play further support the notion of the tragedy of ethnic cleansing and exile that took place decades ago and demand a serious attention towards solving the cause of refugees worldwide。
The show is innovative in merging the drama and dance to form a new artistic way of tackling social concerns on the national level, and it responds to audience’s interests as the show also illustrates the impact of confrontation on the national level. It expresses our cultural position against such acts in our society。