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|
第44届格莱美奖（Grammy）获奖名单（2001年） |
| 年度最佳唱片(Record Of The Year) |
"Walk On," U2. |
| 年度最佳专辑(Album Of The Year) |
O Brother, Where Art Thou? Soundtrack, Various Artists
(Lost Highway Records) |
| 年度最佳单曲(Song Of The Year) |
“Fallin',” Alicia Keys, songwriter (Alicia Keys) |
| 最佳新人奖(Best New Artist) |
Alicia Keys |
| 最佳流行女歌手(Best Female
Pop Vocal Performance) |
“I'm Like a Bird,”
Nelly Furtado |
| 最佳流行男歌手(Best Male Pop Vocal Performance) |
“Don't Let Me Be Lonely Tonight,”
James Taylor |
| 最佳流行乐队组合(Best Pop Performance By A Duo OrsgroupsWith
Vocal) |
“Stuck in a Moment You Can't Get Out Of,” U2 |
| 最佳流行音乐合唱奖(Best Pop Collaboration With Vocals)(For
a collaborative performance, with vocals, by artists who do not
normally perform together. Singles or Tracks only.) |
“Lady Marmalade,” Christina Aguilera, Lil' Kim, Mya,
& Pink |
| 最佳流行乐表演奖(Best Pop Instrumental Performance) |
“Reptile,” Eric Clapton |
| 最佳流行表演专辑(Best Pop Instrumental Album)
|
No Substitutions—Live in Osaka, Larry Carlton and
Steve Lukather (Favored Nations) |
|
最佳流行乐演唱专辑(Best Pop Vocal Album)
|
Lovers Rock, Sade (Epic Records) |
| 最佳舞曲专辑(Best Dance Recording)： |
“All for You,” Janet
Jackson |
| 最佳传统流行乐演唱专辑(Best Traditional
Pop Vocal Album) |
Songs I Heard, Harry
Connick, Jr. (Columbia/Sony Records) |
| 最佳摇滚女歌手(Best Female
Rock Vocal Performance) |
“Get Right with God,”
Lucinda Williams |
| 最佳摇滚男歌手(Best Male Rock Vocal Performance) |
“Dig In,” Lenny Kravitz |
| 最佳摇滚乐队(Best Rock Performance By A Duo Orsgroups With
Vocal) |
“Elevation,” U2 |
| 最佳硬摇滚表演奖(Best Hard Rock Performance)artists who do
not normally perform together. Singles or Tracks only.) |
“ Crawling,” Linkin Park |
| 最佳金属表演奖(Best Metal Performance) |
“Schism,” Tool |
| 最佳摇滚乐表演奖(Best Rock Instrumental Performance) |
“Dirty Mind,” Jeff Beck |
| 最佳摇滚歌曲(Best Rock Song) |
“Drops of Jupiter,” Charlie Colin, Rob Hotchkiss,
Pat Monahan, Jimmy Stafford, and Scott Underwood, songwriters (Train)
|
| 最佳摇滚专辑(Best Rock Album) |
All That You Can't Leave Behind, U2 (Interscope Records)
Alternative Music Album: Parachutes, Coldplay (Capitol Records)
|
| 最佳另类音乐专辑(Best Alternative Music Album) |
Parachutes, Coldplay
(Capitol Records) |
| 最佳R&B女歌手(Best Female
R&B Vocal Performance) |
“Fallin',” Alicia
Keys |
| 最佳R&B男歌手(Best Male R&B Vocal Performance) |
“U Remind Me, ” Usher |
| 最佳R&B组合(Best R&B Performance By A Duo OrsgroupsWith
Vocal) |
“Survivor,” Destiny's Child |
| 最佳传统R&B歌手(Best Traditional R&B Vocal Performance) |
At Last, Gladys Knight (MCA Records) |
| 最佳城市/另类表演奖(Best Urban/Alternative Performance)
|
Embrace the Chaos, Ozomatli (Interscope Records) |
| 最佳R&B歌曲(Best R&B Song) |
“Fallin',” Alicia Keys, songwriter (Alicia Keys) |
| 最佳R&B专辑(Best R&B Album) |
《Voyage To India》/India.Arie |
| 最佳当代R&B专辑(Best Contemporary R&B Album) |
Songs in A Minor, Alicia Keys (J Records) |
| 最佳Rap女歌手(Best Female
Rap Solo Performance) |
“Get Ur Freak On,”
Missy “Misdemeanor” Elliott |
| 最佳Rap男歌手(Best Male Rap Solo Performance) |
《Hot In Herre》/Nelly |
| 最佳Rap组合(Best Rap Performance By A Duo Or Group) |
“Ms. Jackson,” Outkast |
| 最佳Rap对唱(Best Rap/Sung Collaboration) |
“Let Me Blow Ya Mind,” Eve featuring Gwen Stefani
|
|
最佳Rap专辑(Best Rap Album)
|
Stankonia, Outkast (LaFace Records)
|
| 最佳乡村女歌手(Best Female
Country Vocal Performance) |
“Shine,” Dolly Parton
|
| 最佳乡村男歌手(Best Male Country Vocal Performance) |
“O Death,” Ralph Stanley |
| 最佳乡村乐队组合(Best Country Performance By A Duo OrsgroupsWith
Vocal) |
“The Lucky One,” Alison Krauss + Union Station |
| 最佳乡村音乐对唱(Best Country Collaboration With Vocals) |
“I Am a Man of Constant Sorrow,” Dan Tyminski, Harley
Allen, and Pat Enright (The Soggy Bottom Boys) |
| 最佳乡村乐表演奖(Best Country Instrumental Performance) |
“Foggy Mountain Breakdown,” Earl Scruggs, Glen Duncan,
Randy Scruggs, Steve Martin, Vince Gill, Marty Stuart, Gary Scruggs,
Albert Lee, Paul Shaffer, Jerry Douglas, and Leon Russell |
| 最佳乡村歌曲(Best Country Song) |
“The Lucky One,” Robert Lee Castleman, songwriter
(Alison Krauss + Union Station) |
| 最佳乡村乐专辑(Best Country Album) |
Timeless—Hank Williams Tribute, Various Artists (Lost
Highway Records) |
| 最佳蓝草专辑(Best Bluegrass Album) |
New Favorite, Alison Krauss + Union Station (Rounder
Records) |
| 最佳新世纪专辑(Best New Age
Album) |
A Day Without Rain,
Enya (Reprise Records)
|
| 最佳当代爵士专辑(Best Contemporary
Jazz Album) |
M2, Marcus Miller
(Telarc) |
| 最佳爵士演唱专辑(Best Jazz Vocal Album) |
The Calling, Dianne Reeves (Blue
Note Records) |
| 最佳爵士独奏表演奖(Best Jazz Instrumental Solo) |
“Chan's Song,” Michael Brecker, soloist |
| 最佳爵士表演专辑(Best Jazz Instrumental Album, Individual
or Group) |
This Is What I Do, Sonny Rollins (Milestone Records)
|
| 最佳大爵士乐队专辑(Best Large Jazz Ensemble Album) |
Homage to Count Basie, Bob Mintzer Big Band (Digital
Music Products)
|
| 最佳拉丁爵士专辑(Best Latin Jazz Album) |
Nocturne, Charlie Haden (Verve Records) |
| 最佳福音音乐专辑(Best Rock
Gospel Album) |
Solo, DC Talk (ForeFront
Records) |
| 最佳当代福音音乐专辑(Best Pop/Contemporary Gospel Album) |
CeCe Winans, CeCe Winans (Wellspring
Gospel) |
| 最佳南方、乡村或蓝草福音音乐专辑(Best Southern, Country, or Bluegrass
Gospel Album) |
Bill & Gloria Gaither Present A Billy Graham Music
Homecoming, Bill & Gloria Gaither and the Homecoming Friends
(Spring House Music) |
| 最佳传统灵魂乐专辑(Best Traditional Soul Gospel Album) |
Spirit of the Century, The Blind Boys of Alabama (Real
World) |
| 最佳当代灵魂乐专辑(Best Contemporary Soul Gospel Album) |
The Experience, Yolanda Adams (Elektra Entertainment
Group) |
| 最佳灵魂乐合唱专辑(Best Gospel Choir Or Chorus Album) |
Love Is Live!, Hezekiah Walker, choir director;
LFT Church Choir (Verity Records)
|
| 最佳流行拉丁专辑(Best Latin
Pop Album) |
La Musica de Baldemar
Huerta, Freddy Fender (Studio M, Inc., Back Porch, Narada) |
| 最佳拉丁摇滚/另类专辑(Best Latin Rock/Alternative Album) |
Embrace the Chaos, Ozomatli
(Interscope Records) |
| 最佳传统热带拉丁专辑(Best Traditional Tropical Latin Album) |
Dejame Entrar, Carlos Vives (EMI Latin) |
| 最佳萨尔萨专辑(Best Salsa Album) |
Encore, Robert Blades (Lideres Records) |
| 最佳梅伦格专辑(Best Merengue Album) |
Yo Por Tí, Olga Ta?ón (WEA Latina Records) |
| 最佳墨西哥/墨西哥-美国专辑(Best Mexican/Mexican-American Album) |
En Vivo...El Hombre y Su Musica, Ramón Ayala y Sus
Bravos Del Norte (Freddie Records) |
| 最佳特吉诺专辑(Best Tejano Album) |
Nadie Como Tu, Solido (Freddie Records) |
| 最佳传统蓝调专辑(Best Traditional
Blues Album) |
Do You Get the Blues?,
Jimmie Vaughan (Artemis Records) |
| 最佳当代蓝调专辑(Best Contemporary Blues Album) |
Nothing Personal, Delbert McClinton (New West Records)
|
| 最佳传统民谣专辑(Best Traditional Folk Album) |
Down from the Mountain, Various Artists (Lost Highway
Records) |
| 最佳当代民谣类(Best Contemporary Folk Album) |
Love and Theft, Bob Dylan (Columbia Records) |
| 最佳印第安音乐专辑(Best Native
American Music Album) |
Bless the People—Harmonized
Peyote Songs, Verdell Primeaux, and Johnny Mike (Canyon Records)
|
| 最佳雷鬼专辑(Best Reggae
Album) |
Halfway Tree, Damian
Marley (Artist Only! Records)
|
| 最佳世界音乐专辑(Best World
Music Album) |
Full Circle/Carnegie
Hall 2000, Ravi Shankar (Ghetto Youth/Motown Records)
|
| 最佳波尔卡专辑(Best Polka
Album) |
Gone Polka, Jimmy
Sturr (Rounder Records)
|
| 最佳儿童音乐专辑(Best Musical
Album For Children) |
Elmo and the Orchestra,
Sesame Street Characters (Sony Wonder) |
| 最佳儿童诵读专辑(Best Spoken Word Album For Children)
|
Mama Don't Allow, Tom Chapin (Live Oak Media) |
| 最佳诵读专辑(Best Spoken Word Album) |
Q: The Autobiography
of Quincy Jones, Quincy Jones (Simon and Schuster Audio)
|
| 最佳诵读喜剧专辑(Best Spoken Comedy Album) |
Napalm & Sillyputty, George Carlin (HighBridge
Audio) |
| 最佳音乐剧专辑(Best Musical Show Album) |
The Producers (Sony
Classical)
|
| 最佳影视歌曲专辑(Best Compilation Soundtrack Album
For A Motion Picture, Television Or Other Visual Media) |
O Brother, Where
Art Thou?, Various Artists (Lost Highway Records)
|
| 最佳影视原创音乐专辑(Best Score Soundtrack Album For A Motion
Picture, Television Or Other Visual Media) |
Crouching Tiger, Hidden Dragon, Tan Dun, composer
|
| 最佳影视歌曲(Best Song Written For A Motion Picture, Television
Or Other Visual Media) |
“Boss of Me ” (from Malcolm In the Middle), John Flansburgh
and John Linnell, songwriters (They Might Be Giants) |
| 最佳器乐作曲奖(Best Instrumental Composition) |
“End Credits ” from Cast Away, Alan Silvestri,
composer |
| 最佳演奏编曲奖(Best Instrumental Arrangement) |
“Doctor Gradus Ad Parnassum,” Béla Fleck and Edgar
Meyer, arrangers |
| 最佳声乐作品改编奖(Best Instrumental Arrangement Accompanying
Vocalist(s)) |
“Drops of Jupiter,” Paul Buckmaster, arranger
|
| 最佳Package唱片(Best Recording Package) |
Amnesiac (Special
Limited Edition), Stanley Donwood and Tchocky, art directors (Capitol
Records)
|
| 最佳Boxed/Special Limited Edition Package唱片 |
Brain in a Box—The Science Fiction Collection, Hugh
Brown and Steve Vance, art directors (Rhino Entertainment) |
| Arhoolie Records 40th Anniversary Collection |
1960–2000 The Journey
of Chris Strachwitz, Elijah Wald, album notes writer |
| Best Historical Album |
Lady Day: The Complete
Billie Holiday on Columbia 1933–1944 (Columbia/Legacy Recordings)
|
| 最佳非古典录音工程专辑(Best Engineered
Album, Non-Classical) |
The Look of Love,
Al Schmitt, engineer (Diana Krall) (Verve Records) |
| 年度非古典制作人(Producer Of The Year, Non-Classical) |
T Bone Burnett |
| 最佳非古典混音制作(Best Remixed Recording, Non-Classical) |
“Thank You,” Deep Dish, remixer |
| 最佳古典录音工程专辑(Best Engineered Album, Classical) |
Bernstein (Arr. Brohn & Corigliano): West Side
Story Suite (Lonely Town; Make Our Garden Grow, Etc.), Richard King,
engineer |
| 年度古典制作人(Producer Of The Year, Classical) |
Manfred Eicher |
| 最佳古典专辑(Best Classical Album) |
Berlioz: Les Troyens,
Various Artists; London Sym. Orch. (LSO Live) |
| 最佳管弦乐演奏奖(Best Orchestral Performance) |
Boulez Conducts Varèse (Amériques;
Arcana; Déserts; Ionisation), Pierre Boulez (Chicago Sym. Orch.)
(Deutsche Grammophon) |
| 最佳歌剧唱片(Best Opera Recording) |
Berlioz: Les Troyens, Sir Colin Davis, conductor
(Erato) |
| 最佳合唱表演奖(Best Choral Performance) |
Bach: St. Matthew Passion, Nikolaus Harnoncourt,
conductor (Arnold Schoenberg Chor & Wiener S?ngerknaben; Concentus
Musicus Wien) |
| 最佳器乐独奏家表演奖(与管弦乐队合作)(Best Instrumental Soloist(s) Performance
(with Orchestra)) |
Strauss Wind Concertos (Horn Concerto; Oboe Concerto,
Etc.), Daniel Barenboim, piano/conductor; Dale Clevenger, horn;
Larry Combs, clarinet; Alex Klein, oboe; David McGill, bassoon |
| 最佳器乐独奏家表演奖(不带管弦乐队)(Best Instrumental Soloist Performance
(without Orchestra) |
Britten Cello Suites (1–3), Truls Mork, cello |
| 最佳室内乐表演奖(Best Chamber Music Performance) |
Haydn: The Complete String Quartets, The Angeles
String Quartet
|
| 最佳小乐队表演奖(Best Small Ensemble Performance (with or
without Conductor)) |
After Mozart (Raskatov, Silvestrov, Schnittke, Etc.),
Kremerata Baltica |
| 最佳古典声乐表演奖(Best Classical Vocal Performance) |
Dreams & Fables—Gluck Italian Arias (Tremo Fra'
Dubbi Miei; Di Questa Cetra In Seno, Etc.), Cecilia Bartoli, mezzo
soprano |
| 最佳古典音乐当代作曲奖(Best Classical Contemporary Composition) |
Rouse: Concert De Gaudí for Guitar and Orch., Christopher
Rouse, composer |
| 最佳古典跨界专辑(Best Classical Crossover Album) |
Perpetual Motion (Scarlatti, Bach, Debussy, Chopin,
Etc.), Béla Fleck, banjo (Joshua Bell, violin; Evelyn Glennie, marimba;
Gary Hoffman, cello; Edgar Meyer, bass and piano; Chris Thile, mandolin;
John Williams, guitar) |
| 最佳短篇音乐录影带(Best Short Form Music Video)： |
“Weapon of Choice,”
(Fatboy Slim Featuring Bootsy Collins), Spike Jonze, video director
|
| 最佳长篇音乐录影带(Best Long Form Music Video) |
Recording the Producers—A Musical Romp with Mel Brooks
(Mel Brooks), Susan Froemke, video director |
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