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第28届格莱美奖（Grammy）获奖名单（1985年） |
| 年度最佳唱片(Record Of The Year) |
“We Are the World,”
USA for Africa |
| 年度最佳专辑(Album Of The Year) |
No Jacket Required, Phil Collins (Atlantic) |
| 年度最佳单曲(Song Of The Year) |
“We Are the World,” Michael Jackson and Lionel Richie,
songwriters |
| 年度最佳新人( New Artist Of The Year) |
Sade |
| 最佳流行男歌手(Best Male Pop
Vocal Performance) |
No Jacket Required,
Phil Collins |
| 最佳流行女歌手(Best Female Pop Vocal Performance) |
“Saving All My Love for You,”
Whitney Houston |
| 最佳流行音乐合唱奖(Best Pop Collaboration With Vocals)(For
a collaborative performance, with vocals, by artists who do not
normally perform together. Singles or Tracks only.) |
“We Are the World,” USA for Africa |
| 最佳流行音乐专辑(Best Pop Instrumental Album) |
“Miami Vice Theme,” Jan Hammer |
| 最佳摇滚男歌手(Best Male Rock Vocal Performance) |
“The Boys of Summer,”
Don Henley |
| 最佳摇滚女歌手(Best Female Rock Vocal Performance) |
“One of the Living,” Tina Turner |
| 最佳摇滚乐队(Best Rock Performance By A Duo OrsgroupsWith
Vocal) |
“Money for Nothing,” Dire Straits |
| 最佳摇滚乐表演奖(Best Rock Instrumental Performance) |
“Escape,” Jeff Beck |
| 最佳R&B歌曲(Best R&B Song) |
“Freeway of Love,” Narada Michael Walden and Jeffrey
Cohen, songwriters |
| 最佳R&B男歌手(Best Male R&B Vocal Performance) |
In Square Circle,
Stevie Wonder |
| 最佳R&B女歌手(Best Female R&B Vocal Performance) |
“Freeway of Love,” Aretha Franklin |
| 最佳R&B专辑(Best Rhythm and Blues Instrumental Performance) |
Musician, Ernie Watts |
| 最佳R&B组合(Best R&B Performance By A Duo Orsgroups
With Vocal) |
“Nightshift,” Commodores |
| 最佳爵士男歌手(Best Male Jazz Vocal Performance) |
“Another Night in Tunisia,” Jon Hendricks
and Bobby McFerrin |
| 最佳爵士女歌手(Best Female Jazz Vocal Performance) |
Cleo at Carnegie (The 10th Anniversary Concert), Cleo
Laine |
| 最佳爵士演唱专辑(Best Jazz Vocal Performance, Duo or Group) |
Black Codes From the Underground,
Wynton Marsalis |
| 最佳爵士唱片(Best Jazz Instrumental Album, Individual or
Group) |
Black Codes From the Underground, Wynton Marsalis
Group |
| 最佳爵士专辑(Best Jazz Instrumental Performance, Group) |
Black Codes From the Underground, Wynton Marsalis
Group |
| 最佳大爵士乐队专辑(Best Large Jazz Ensemble Album) |
The Cotton Club—Original Motion Picture Soundtrack,
John Barry and Bob Wilber |
| 最佳当代爵士专辑(Best Contemporary Jazz Album) |
Straight to the Heart, David Sanborn |
| 最佳乡村歌曲(Best Country
Song) |
“Highwayman,” Jimmy
L. Webb, songwriter |
| 最佳乡村男歌手(Best Male Country Vocal Performance) |
“Lost in the Fifties Tonight”
(In the Still of the Night), Ronnie Milsap |
| 最佳乡村女歌手(Best Female Country Vocal Performance) |
“Whoever's in New England,” Reba McEntire |
| 最佳乡村乐队组合(Best Country Performance By A Duo Orsgroups
With Vocal) |
Why Not Me, Judds |
| 最佳乡村乐表演奖(Best Country Instrumental Performance) |
“Cosmic Square Dance,” Chet Atkins and Mark Knopfler |
| 最佳福音男歌手(Gospel Vocal Performance, Male) |
“How Excellent Is
Thy Name,” Larnelle Harris |
| 最佳福音女歌手(Gospel Vocal Performance, Female) |
Unguarded, Amy Grant |
| 最佳灵魂乐男歌手(Best Soul Gospel Vocal Performance, Male) |
“Bring Back the Days of Yea and Nay,” Marvin Winans |
| 最佳灵魂乐女歌手(Best Soul Gospel Vocal Performance, Female) |
“Martin,” Shirley Caesar |
| 最佳灵魂乐乐队组合(Best Soul Gospel Vocal Performance By a Duo or Group,
Choir or Chorus) |
Tomorrow, Winans |
| 最佳流行拉丁专辑(Best Latin
Pop Album) |
Ec Facil Amar, Lani
Hall |
| 最佳传统热带拉丁专辑(Best Traditional Tropical Latin Album) |
Mambo Diablo, Tito Puente and His Latin Ensemble
Solito, Eddie Palmieri
|
| Best Inspirational Performance |
“Come Sunday,” Jennifer Holliday |
| 最佳特吉诺/墨西哥-美国专辑(Best Tejano/Mexican-American Album) |
Simplemente Mujer, Vikki Carr |
| 最佳传统蓝调专辑(Best Traditional
Blues Album) |
“My Guitar Sings
the Blues,” B.B. King (MCA) |
| 最佳传统民谣专辑(Best Traditional Folk Album) |
“My Toot Toot,” Rockin' Sidney (Maison De Soul) |
| 最佳雷鬼专辑(Best Reggae
Album) |
Cliff Hanger, Jimmy
Cliff (Columbia/CBS) |
| 最佳新世纪专辑(Best New Age
Album) |
Down to the Moon,
Andreas Vollenweider (FM/CBS) |
| 最佳波尔卡专辑(Best Polka
Album) |
70 Years of Hits,
Frank Yankovic (Cleveland International/CBS)
|
| 最佳演奏编曲奖(Best Instrumental Arrangement) |
“Early a.m. Attitude,” Dave Grusin and
Lee Ritenour, arrangers |
| 最佳声乐作品改编奖(Best Instrumental Arrangement Accompanying Vocalist(s)) |
“Lush Life,” Nelson Riddle, arranger |
| 最佳合唱奖（Best Vocal Arrangement for Two or More Voices） |
“Another Night in Tunisia,” Cheryl Bentyne and Bobby
McFerrin, arrangers |
| 最佳器乐作曲奖(Best Instrumental Composition) |
“Miami Vice Theme,” Jan Hammer, composer |
| 最佳音乐剧专辑(Best Musical Show Album) |
West Side Story,
Stephen Sondheim, lyricist; Leonard Bernstein, composer (Deutsche
Grammophone) |
| 最佳影视器乐专辑(Best Instrumental Composition
for a Motion Picture or for Television) |
Beverly Hills Cop, Sharon Robinson, Jon
Gilutin, Bunny Hull, Hawk, Howard Hewett, Micki Free, Sue Sheridan,
Howie Rice, Keith Forsey, Harold Faltermeyer, Allee Willis, Dan
Sembello, Marc Benno and Richard Theisen, composers and songwriters
(MCA) |
| 最佳古典音乐当代作曲奖(Best Classical Contemporary
Composition) |
Requiem, Andrew Lloyd Webber, composer
(Angel) |
| 最佳古典专辑(Best Classical Album) |
Berlioz, Requiem, Robert Shaw conducting Atlanta Symphony
Orchestra and Chorus; solo: Aler (Telarc) |
| 年度最佳新古典艺术家（Best New Classical Artist） |
Chicago Pro Musica |
| 最佳管弦乐队奖(Orchestral Performance) |
Fauré, Pelléas et Mélisande, Robert Shaw conducting
Atlanta Symphony Orchestra |
| 最佳室内乐表演奖(Best Chamber Music Performance) |
Brahms, Cello and Piano Sonatas in E Minor and F Major,
Emanuel Ax and Yo-Yo Ma |
| 最佳器乐独奏家表演奖Best Instrumental Soloist(s) Performance
|
Elgar, Cello Concerto, Op. 85; Walton, Concerto for
Cello and Orchestra, Yo-Yo Ma; André Previn conducting London Symphony
Orchestra |
| 最佳器乐独奏家表演奖(不带管弦乐队)Best Instrumental Soloist Performance
(without Orchestra) |
Ravel, Gaspard de la Nuit, Pavane Pour Une Infant
Defunte, Valses Nobles et Sentimentales, Vladimir Ashkenazy |
| 最佳歌剧唱片(Best Opera Recording) |
Schoenberg, Moses und Aron, Sir Georg Solti conducting
Chicago Symphony Orchestra and Chorus; solos: Mazura and Langridge
(London) |
| 最佳合唱表演奖(Best Choral Performance) |
Berlioz, Requiem, Robert Shaw conducting Atlanta
Symphony Chorus and Orchestra |
| 最佳古典声乐表演奖(Best Classical Vocal Performance) |
Berlioz, Requiem, John Aler; Robert Shaw conducting
Atlanta Symphony Orchestra and Chorus |
| 最佳诵读喜剧专辑(Best Spoken Comedy Album) |
Whoopi Goldberg
(Original Broadway Show Recording), Whoopi Goldberg (Geffen) |
| 最佳诵读专辑(Best Spoken Word Album) |
Ma Rainey's Black Bottom, Original Broadway cast (Manhattan) |
| 最佳儿童音乐专辑(Best Musical
Album For Children) |
Follow That Bird
(Original Motion Picture Soundtrack), Jim Henson's Muppets and
the Sesame Street cast (RCA) |
| 最佳Package唱片(Best Recording Package) |
Lush Life, Kosh
and Ron Larson, art directors (Asylum) |
| Best Album Notes |
Sam Cooke Live at
the Harlem Square Club, 1963, Peter Guralnick, annotator (RCA) |
| Best Historical Album |
RCA/MET—100 Singers-100
Years, Melba, Schumann-Heink, Caruso, Price, Verrett, Domingo
and 94 others (RCA Red Seal) |
| 最佳短篇音乐录影带(Best Short Form Music Video)： |
“We Are the World,
the Video Event,” USA for Africa |
| 最佳长篇音乐录影带(Best Long Form Music Video) |
“Huey Lewis and the News: The Heart of Rock 'n Roll,”
Huey Lewis and the News |
| 年度非古典制作人(Producer Of The Year, Non-Classical) |
Phil Collins and Hugh Padgham |
| 年度古典制作人(Producer Of The Year, Classical) |
Robert Woods |
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