肢体剧《美狄亚的尖叫》海报

　　在美狄亚的神话中探寻她的精神世界

　　在美狄亚死后的视角中展开叙述，看美狄亚追溯其生命的陨落，追问生命中不可抗拒的力量

　　Inner World Theatre takes a horizon of Medea's myth as amaterial for a journey into her spiritual landscape

　　To tell a story from the perspective of its ending, whenMedea above her magic table all over again looking back on the ruins of herlife asking herself about the blind force and unavoidability of her Destiny。

　　斯洛文尼亚

　　肢体剧《美狄亚的尖叫》

　　演出：内心世界剧团(斯洛文尼亚)

　　Slovenia

　　Physical Theatre Medea’sScream

　　Performed by Inner WorldTheatre

　　故事梗概

　　美狄亚谋杀了她与杰森的两个儿子，这就是美狄亚复仇的神话，也是欧洲早期文明中最大的悲剧故事之一。她为了与杰森相爱而背叛了自己的父亲、手足和祖国，她杀死了自己的兄弟、玷污了家族的名声，与杰森一同逃亡，却最终被这个她付出了全部的男人所欺骗并抛弃。

　　编剧将美狄亚的神话作为探寻美狄亚精神世界的基础，在美狄亚死后的视角中展开叙述。在美狄亚的魔法桌上，她回溯自己生命的陨落，追问命运中的盲目与黑暗，开始了一场不可思议的旅程。她再次踏上悲剧命运的十字路口，爱的信念最终成为毁灭的力量。

　　在《美狄亚的尖叫》中，Sašo和Mojtina Jurcer在剧场中还原未知的领域和古老的原始仪式，以展现这部关于人类生存的作品的独特魅力。

　　内心世界剧团

　　“内心比外在可见的世界要有趣得多”，导演Sašo Jurcer这样概括道。他与演员Mojtina Jurcer共同在2005年创立了内心世界剧团。

　　通过一系列原创的戏剧演出以及对于打破戏剧演出、身体剧场、当代舞与现代戏剧间界限的尝试，他们突破了西方剧场的传统，通过摆脱固有的戏剧是反映世界的镜子的观念，在舞台上猛烈撕下物质世界的面纱，提倡戏剧是由演员在舞台上的肢体展现而做出的对世界的回应。

　　在内心世界剧团发展的过程中，他们建立了剧团的体系和表演的方式，在分解现实与空间的基础上，释放演员形体的张力，并借此展现他们的内心世界。

　　如今，内心世界剧团已经成为一个公司，通过与来自世界范围内不同文化区域的观众的对话探索世界之本质，借此不断优化自己的演出。这首先解决了剧场中国际语言的发展，同时通过延伸的国际活动逐步向世界展示剧团。

　　Synopsis

　　The myth of Medea’s revenge – the murder of Jason’ schildren she gave birth to – is one of the most tragic stories emanating fromearly European civilisation. Out of love for Jason, Medea the Hecate betraysher father, sisters and homeland; she kills her brother, disgraces her familyname and honour and lives in insecure exile to be ultimately abandoned anddeceived by a man to whom she sacrificed and gave everything possible in thedomain of human existence。

　　The authors take the horizon of Medea’s myth as the materialfor a journey into her mental landscape, and tell a story from the perspectiveof her demise. When, at her magic table, Medea looks back at the ruins of herlife and – for the final time – or who knows how many times – embarks on animpossible journey; wondering about the blind necessity of her fate, she takesanother walk through her life to the crossroads where in the geometry oftragedy the elementary force of faith in love ruptures into the force of destruction。

　　In Medea’s Scream, Sašo and Mojtina Jurcer restore theatreto the domain of the unknown and hidden, and its nearly forgotten ritual origin– to the mystery of the play of the vertical axes of human existence。

　　Inner World Theatre

　　“The inside becomesmuch more interesting than that which is visible on the outside,” concludes thedirector Sašo Jurcer, who, together with the actress Mojtina Jurcer,established the Inner World Theatre in 2005.

　　Through a seriesof original theatre performances and by transposing the boundaries betweenperformance, physical theatre, contemporary dance and modern opera, they rejectthe mimetic foundations of the western theatre tradition, and on stage evermore intensively pulls down the curtain of a material world by shifting awayfrom the notion of the theatre as the mirror of the world to the theatre as agesture to the world – from the actor’s body on stage to body as a world。

　　During researchprocess of “inner world theatre” they developed the theatre system and an actingmethod, which – on the basis of temporal decompression and spatialdecomposition – liberates the actor’s body from the physical confines of theouter and – through the bodily calligraphy of inner mental states – connects itto the dramaturgy of manifestations of human inner motion。

　　Today, the InnerWorld Theatre is a moving company, which builds and modifies its performancesthrough intense exploration of the nature of theatrical contact in dialogueswith audiences of various cultures, from Helsinkiand St. Petersburg, to Budapestand Salonica, as well as from Yerevan and Athens, to Alexandria and Chicago. It primarilydeals with the development of the universal language of theatre, and, throughextensive international activities, gradually transforms into the theatre ofthe world。

　　评论Critics

　　“Jurcer是一个钟情于细节，创新和狂野风格的导演，他脑海中满是点子，使得一部剧永远不会华而不实或是乏味重复。”

　　---克罗地亚全貌

　　“令人最为印象深刻的是象征符号，实际的物体以及被具化的悲伤与痛苦....。.台上只有叙述和唯一的女演员，她用肢体，语言，歌曲还有那令人毛骨悚然的尖叫，诠释着这部古老戏剧中的悲痛。剧中的每一个声音，每一个肢体动作，无一不充斥着痛苦，伤痛与悲情，这些恰恰反应了女演员Mojtina Jurcer的内心世界。

　　---POBJEDA Montenegro

　　Jurcer is a director attentive to detail, innovativeand scratchy, full of ideas, a show well packaged that never expire in rhetoricand repetition。”

　　PANORAMA Croatia

　　“Especially impressive weresymbols, physical objects and materialized tragic and agony …representation andonly one actress, which articulated the whole tragic of this ancient drama withmovements of the body and voices, vocals, screams that caused the hair on skinstand on end. In every voice, every movement there was painfulness, tragic andtragedy that expressed actress Mojtina

　　Jurcer。”

　　POBJEDAMontenegro

　　导演Director: SašoJurcer

　　演员Cast: Mojtina Jurcer

　　全长约60分钟，无中场休息/无对白·无字幕

　　演出时间：2012.11.19-11.2119:30

　　演出地点：上海话剧艺术中心-D6空间(安福路288号)

　　演出票价：80/280元

　　订票电话：64730123  64734567

　　Approx. 60 mins, no intermission / No Dialogue·No Subtitles

　　Time&Date      7:30pm, Nov. 19-21

　　Venue          Studio D6, Shanghai Dramatic ArtsCentre (No. 288, Anfu Road)

　　Prices         RMB100/280

　　Booking hotline 64730123  64734567