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拉里莎·葛尔季耶娃，俄罗斯国家艺术家、马林斯基青年歌唱家学院和米凯利国际音乐节夏季学院的艺术指导。7岁时开始同弟弟瓦莱里·葛尔季耶夫(现任圣彼得堡马林斯基剧院首席指挥和艺术总监)一起学习钢琴。他们在弗拉季卡夫卡兹音乐艺术学院学习，葛尔季耶娃接着在罗斯托夫和圣彼得堡继续深造。15岁时作为钢琴伴奏首次登台。她先后在夏里亚宾(喀山)、格奥尔格·戈茨(塔林)全国比赛、彼尔姆和圣彼得堡的里姆斯基-科萨科夫国际比赛中获得钢琴演奏一等奖和荣誉证书，并在30多个国际和全国性声乐比赛中获得最佳伴奏奖。
她在弗拉季卡夫卡兹音乐艺术学院钢琴系任教不久，应邀到弗拉季卡夫卡兹歌剧院任歌剧团的声乐艺术指导，为剧院歌唱演员排练《托斯卡》、《蝴蝶夫人》、《丑角》和《卡门》以及多部俄国歌剧，并且还在她弟弟指挥弗拉季卡夫卡兹歌剧院上演威尔第的《奥赛罗》中担任歌剧指导。1987年她被聘为彼尔姆柴可夫斯基歌剧院的声乐艺术指导，并开办大师课。目前她任圣彼得堡两年一度的里姆斯基·科萨科夫声乐比赛的总监。
葛尔季耶娃的钢琴天赋和对于作品的处理，使她受到专业界和观众的广泛欢迎。她与数十位俄罗斯著名的歌唱家在俄罗斯的主要歌剧院演出；在米兰斯卡拉、罗马圣切契里亚、汉堡、莱比锡、德累斯顿、茨维考、堪萨斯、旧金山、纽约、爱丁堡女王音乐厅、伦敦维格莫尔音乐厅和伊丽莎白女王音乐厅、科隆剧院、以及巴西、澳大利亚和柏林国家歌剧院、巴黎香榭丽舍、圣丹尼、日内瓦大剧院等剧院演出；在阿根廷、巴黎、伦敦和纽约以及北美和欧洲各地举办俄罗斯歌曲系列音乐会。
1998年葛尔季耶娃被聘为马林斯基学院的艺术指导，为该学院培育了一批年轻的俄罗斯天才。1992年起任里姆斯基·科萨科夫声乐比赛总监。
作为声乐艺术指导，葛尔季耶娃在世界各地备受欢迎。最近，她参加指导的剧作包括威尔士国家歌剧院上演的《叶甫根尼·奥涅金》；普罗旺斯音乐节上演的普罗柯菲耶夫《三桔之爱》和《叶甫根尼·奥涅金》；旧金山歌剧院上演的《鲁斯兰与柳德米拉》、《火天使》和《战争与和平》；萨尔兹堡音乐节上演的《鲍里斯·戈杜诺夫》、斯卡拉歌剧院上演的《火天使》、《霍万兴那》；札幌和东京上演的《赌徒》、《叶甫根尼·奥涅金》；伦敦皇家歌剧院上演的《女巫》。她在法国、美国、英国、德国、加拿大、意大利、日本等国家均开办过大师课。葛尔季耶娃目前录制出版了十九张唱片，其中就有她和男高音达尼伊尔·施托达合作的专辑。
LARISSA GERGIEVA
Piano
National Artist of Russia, Artistic Director of the Mariinsky Academy of Young Singers and of the Summer Academy at the Mikkeli International Music Festival, Larissa Gergieva was born in Beltsy, in Moldova. When she was seven, the family moved to Vladikavkas, in Ossetia where she began to study music along with her brother Valery Gergiev, chief conductor and artistic director of the Mariinsky Theatre, St Petersburg. Their teacher throughout their school career and at the Academy of Musical Arts in Vladikavkaz was Zarema Lolaeva. Gergieva continued her piano studies at Rostov-on-Don and St. Petersburg. She played her first recital as an accompanist at the age of 15.
Her first appointment was as teacher of Piano Studies at the Academy of Musical Arts in Vladikavkaz but she was soon invited to be repetiteur at the Vladikavkaz Opera. While there, she prepared singers for productions of Tosca, Madam Butterfly, I Pagliacci and Carmen as well as many Russian operas. She also prepared Verdi's Otello for her brother, Valery, to conduct at the Vladikavkaz Opera.
In 1987 she was appointed repetiteur at the Tchaikovsky Opera House, in Perm where she also prepared singers for entry in national and international singing competitions. She now holds master classes in Perm in which both national and international singers participate.
She received first prize as well as a diploma for her piano playing in the Chaliapin (Kazan) and Georg Gotz (Tallin) National Competitions and in the Perm and Rimsky-Korsakov (St Petersburg) International Competitions. She is now general director of the biennial Rimsky-Korsakov Competition for Singers in St Petersburg.
Her pianistic gifts and musical insight are much in demand. She has given recitals in Russia and the West with Olga Borodina, Nikolai Otkhotnikov,Galina Gorchakova, Elena Obratzova, Mikhail Kit, Vassily Gerello, Larissa Diadkova, Velentina Tsedipova and Grair Hanedanian, her husband, who is principal tenor at the Perm Opera House, has worked in all the major houses in Russia and has recently partnered singers in recitals in La Scala, Milan, Santa Caecilia Roma, Hamburg, Leipzig, Dresden, Zwickau, Kansas, San Francisco, New York, The Queen's Hall in Edinburgh and the Wigmore Hall and Queen Elizabeth Hall in London, Teatro Colon, and in Brazil, Australia, Staatsoper Berlin, Chandselisee, St Denis in Paris, etc.
In 1998, Miss Gergieva was appointed artistic director of the newly formed Mariinsky Academy which was established to nurture young Russian talent. She is from 1992 the General Director of the international competition Rimski Korsakov, she has been awarded a prize for best accompanist in more than 30 international and national competitions, among them Tchaikovsky, Shaljapin, and the Elena Obratzova competition.
Ms Gergieva regularly tours the world with the soloists of the Mariinsky Academy giving recitals in the Grand Theatre de Geneve, on a tour to Argentina in a Russian song series, to Paris, London and New York and across North America and Europe.
Ms Gergieva is in great demand throughout the world as a coach. Most recently she coached the cast of Eugene Onegin for the Welsh National Opera and is currently coaching the cast of Prokofiev’s For the Love of Three Oranges for the Aix-En-Provence Festival. Last season she went to the Aix en Provence Festival as specialist repetiteur for the new production of Eugene Onegin. She has visited San Francisco Opera on numerous occasions for Ruslan and Ljudmila , Fiery Angel and War and Peace and in the summer of 1997 coached the principals in the Salzburg Festival's production of Boris Godunov and La Scala's The Fiery Angel, Khovanshina and the Gambler, Eugeni Onegin in Sapporo and Tokyo and The Enchantress at the Royal Opera House in London. She also gives masterclasses in France, United States, United Kingdom, Germany, Canada, Italy and Japan.
She has also made 19 recordings; among them a Philips recording with Galina Gorchakova and Olga Borodina and EMI with Daniil Shtoda.
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